| Project/Area Number |
20520137
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
|
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| Research Institution | Musashino Academia Musicae |
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Principal Investigator |
NARAZAKI Yoko Musashino Academia Musicae, 音楽学部, 教授 (50254264)
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| Project Period (FY) |
2008 – 2010
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| Project Status |
Completed (Fiscal Year 2010)
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| Budget Amount *help |
¥2,600,000 (Direct Cost: ¥2,000,000、Indirect Cost: ¥600,000)
Fiscal Year 2010: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2009: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2008: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
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| Keywords | 音楽学 / 西欧 / 非西欧 / 非ヨーロッパ / 日本人作曲家 / 日本作曲界 / 交響曲 / 1930年代 / オーケストラ / 日本の交響曲 / 創作モデル / 新たな民族主義 / 評価言説 |
|---|
| Research Abstract |
This study is trying to consider any differences of manners and consciousness to compose between orchestral works titled symphony and not so by Japanese composers from 1930 to postwar days, by inquiring discourses by the composers, reviews by critics, and their musical styles. As a result, it is recognized that in orchestral works titled symphony by Japanese composers characteristics of Japanese elements surpass techniques and formation of German symphony as a model.
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