A Comparative Study of Bernard Leach and His Involvement to the Mingei Movement
Project/Area Number |
20520320
|
Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Single-year Grants |
Section | 一般 |
Research Field |
Literatures/Literary theories in other countries and areas
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Research Institution | Ochanomizu University |
Principal Investigator |
SUZUKI Sadahiro Ochanomizu University, 大学院・人間文化創成科学研究科, 准教授 (80334564)
|
Project Period (FY) |
2008 – 2010
|
Project Status |
Completed (Fiscal Year 2010)
|
Budget Amount *help |
¥3,120,000 (Direct Cost: ¥2,400,000、Indirect Cost: ¥720,000)
Fiscal Year 2010: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2009: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2008: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
|
Keywords | バーナード・リーチ / 民藝運動 / スタジオ・クラフト / 対抗産業革命 / 工芸 / 比較芸術 / 比較文化 / イギリス |
Research Abstract |
The research project considered the cultural history of the twentieth century Britain and Japan in terms of "counter-Industrial Revolution", taking the art and life of Bernard Leach (1887-1979) and his involvement to the Mingei (Folk Crafts) movement as an example. Leach and Muneyoshi Yanagi (1889-1961), the leader of the movement, conceptualized their movement as a counter-movement against the cultural mainstream in those days. Their ambition was to put a curb on negative elements brought about through the process of modernization by discovering new virtues in things that have been suppressed by the process of modernization. The research project analyzed the idea of "counter-Industrial Revolution" and its practices in reality, and showed an efficiency of this viewpoint.
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Report
(4 results)
Research Products
(12 results)