Studies in Edouard Manet - From the viewpoint of criticism and reception
| Project/Area Number |
21520094
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Aesthetics/Art history
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| Research Institution | The University of Tokyo |
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Principal Investigator |
MIURA Atsushi 東京大学, 大学院・院総合文化研究科, 教授 (10212226)
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| Project Period (FY) |
2009 – 2011
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| Project Status |
Completed (Fiscal Year 2011)
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| Budget Amount *help |
¥4,030,000 (Direct Cost: ¥3,100,000、Indirect Cost: ¥930,000)
Fiscal Year 2011: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2010: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2009: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | マネ / 19世紀フランス絵画 / 美術批評 / 西洋美術史 / 近代絵画 |
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| Research Abstract |
I made research on the criticism of the major paintings of Manet and analyzed aspects of their reception. Five works treated are "Luncheon on the Grass", "Olympia", "Portrait of Emile Zola", "A Bar of the Folies-Bergere", "Railroad". The critical reactions on these works reveal how they deviated from aesthetic criteria of the era on the levels of treatment of subject, style and technique. Essentially, ambiguity or polysemy in Manet’s paintings put the comprehensions of spectators into confusion.
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Report
(4 results)
Research Products
(36 results)
