The birth and development of the copperplate painting : the cultural exchange between the northern and southern Europe
Project/Area Number |
21520115
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Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Single-year Grants |
Section | 一般 |
Research Field |
Aesthetics/Art history
|
Research Institution | Kyoto University |
Principal Investigator |
HIRAKAWA Kayo 京都大学, 大学院・文学研究科, 准教授 (10340762)
|
Co-Investigator(Renkei-kenkyūsha) |
IWAOKA Koji 近畿大学, 文芸学部, 教授 (40340757)
|
Project Period (FY) |
2009 – 2011
|
Project Status |
Completed (Fiscal Year 2011)
|
Budget Amount *help |
¥4,550,000 (Direct Cost: ¥3,500,000、Indirect Cost: ¥1,050,000)
Fiscal Year 2011: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2010: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2009: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
|
Keywords | 美術史 / 芸術諸学 / 西洋美術 / 絵画技法 / マーケティング / 細密画 / ネーデルラント / イタリア / ローマ / 美術コレクション / 仮設装飾 / メディチ家 |
Research Abstract |
This is a comprehensive research on the birth and development of the copperplate painting(that is, the painting painted by oil on a copperplate), based on existent works of art and archive materials. It explores that the copperplate painting was born in the cultural contexts of'paragone' as well as of'the collection of northern European artworks in Italy', developed as a novel medium which realized political allegories connoting the eternity, and established oneself as the best vehicle for miniaturists of various genres to obtain the fame at the end of 16th century.
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Report
(4 results)
Research Products
(17 results)