| Project/Area Number |
21520147
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | University of the Ryukyus |
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Principal Investigator |
YONAHA Shoko 琉球大学, 大学教育センター, 非常勤講師 (30412860)
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| Research Collaborator |
SUZUKI Masae 京都産業大学, 教授
AMANO Fumio 大阪大学, 日本演劇学会, 名誉教授、会長
TOMA Ichiro 沖縄藝能史研究会, 会長
KOKI Yoshihide 国立劇場おきなわ, 芸術監督
TAKAESU Yoshihiro 平成組踊塾, 塾長、音楽家、歯科医
KARIMATA Keiichi 沖縄国際大学, 教授
ITAYA Toru 沖縄県立芸術大学, 教授
SHINJYO Wataru 琉球音楽, 研究者
TAMAGUSUKU Seigi 沖縄芝居実験劇場, 代表
IRAHA Sayuki 沖縄芝居, 役者
YOSHIDA Taeko 沖縄芝居, 役者
MAEDA Shuko 琉球大学, 人文社会科学研究科, 特別研究員
INOHA Yumi 琉球大学, 人文社会科学研究科, 博士
MAZZARO Veronica 琉球大学, 人文社会科学研究科, 博士
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| Project Period (FY) |
2009 – 2011
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| Project Status |
Completed (Fiscal Year 2011)
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| Budget Amount *help |
¥4,290,000 (Direct Cost: ¥3,300,000、Indirect Cost: ¥990,000)
Fiscal Year 2011: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2010: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2009: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
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| Keywords | 組踊の系譜 / 玉城朝薫五番 / 沖縄芝居 / 新作組踊 / 人類館 / 沖縄語(ウチナーグチ / 近・現代沖縄演劇 / 文化的アイデンティティー / 朝薫五番 / 近現代沖縄演劇 / 沖縄語(ウチナーグチ) / 組踊 / 系譜 / 伝統/現代 / 仇討/愛 / 「人類館」 |
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| Research Abstract |
The "Genealogy of Kumiudui" project spans a wide range, considering the history of Ryukyuan/Okinawan performing arts form the early 18th century to the present. The project also covers the National Theatre of Okinawa, which was built in 2004, and 20 Shinsaku Kumiudui by Oshiro Tatsuhiro. One significant result of this project was the organization of two symposiums, attended by several eminent scholars of Kumiudui, Noh, folk theatre, Ryukyu-dance, Ryukyu-music, and Shakespeare along with the art director of the' National Theatre of Okinawa' and the director of ' The Okinawan Drama Experimental Theatre'. Toma Ichiro and Amano Fumio gave the keynote address at each symposium. In addition, Oshiro's ten Shinsaku kumiudui productions have revealed some retrospective insight on the genealogy of Kumiudui, which brought unprecedented enlightenment beyond the first aim of this project.
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