| Project/Area Number |
21520153
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
|
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| Research Institution | Osaka Prefecture University |
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Principal Investigator |
|
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| Project Period (FY) |
2009 – 2011
|
| Project Status |
Completed (Fiscal Year 2011)
|
| Budget Amount *help |
¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
Fiscal Year 2011: ¥390,000 (Direct Cost: ¥300,000、Indirect Cost: ¥90,000)
Fiscal Year 2010: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2009: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
|
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| Keywords | 表象文化論 / 移民論 / 黒人文化 / 視覚表象 / 思想史 |
|---|
| Research Abstract |
The study explores politics working around the gaze and culture of visual representation, focusing on fine art practices of British Black artists, who are of descent of post-war immigrants from the former colonies and have been marginalized by established art institutions. By examining the so-called Black Art movement in the 1980s and 90s and its aftermath the study shows that culture of visual representation is a site, on which the canon and power relations are being constructed and deconstructed, and that migrations are of great moment for the formation of visual culture.
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