Borderness in Chicana/o Theater and Native American Oral Tradition at a Crossroads
| Project/Area Number |
21520265
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Literature in English
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| Research Institution | University of the Ryukyus |
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Principal Investigator |
KINA Ikue 琉球大学, 国際沖縄研究所, 教授 (20284945)
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| Project Period (FY) |
2009 – 2011
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| Project Status |
Completed (Fiscal Year 2011)
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| Budget Amount *help |
¥4,290,000 (Direct Cost: ¥3,300,000、Indirect Cost: ¥990,000)
Fiscal Year 2011: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2010: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2009: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | アメリカ文学 / アメリカ演劇 / チカーノ文学 / チカーナ / Gloria Anzaldua / Cherrie Moraga / アメリカ先住民 / border / グローリア・アンサルドウーア / シェリー・モラガ / 境域(ボーダー) / グローリア・アンサルドゥーア / シェリー・モラーガ |
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| Research Abstract |
This study, exploring socio-cultural significance of Chicana/o theater in literary studies and American society, finds that Chicana playwrights, Cherrie Moraga in particular, share indigenous women's tradition and cultural experience with Native Americans in terms of such critical concepts as "indigeneity" and "borderness," while they also attempt to find their original way to express their ethnic and sexual identity of Chicana in contemporary American society.
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Report
(4 results)
Research Products
(19 results)
