| Project/Area Number |
21520282
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (C)
|
| Allocation Type | Single-year Grants |
|---|
| Section | 一般 |
|---|
| Research Field |
Literature in English
|
|---|
| Research Institution | Tokyo University of Science |
|---|
Principal Investigator |
|
|---|
| Project Period (FY) |
2009 – 2011
|
| Project Status |
Completed (Fiscal Year 2011)
|
| Budget Amount *help |
¥1,950,000 (Direct Cost: ¥1,500,000、Indirect Cost: ¥450,000)
Fiscal Year 2011: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2010: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2009: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
|
|---|
| Keywords | ルネサンス演劇舞台衣装 / チューダー朝 / 宮廷饗宴 / 英国ルネサンス演劇 / 舞台衣装 / エリザベス朝 / Lord of Misrule / エリザベス朝演劇 / 官廷饗宴 / 服飾史 / ペジェント / 饗宴局 / インタールード / 英文学 |
|---|
| Research Abstract |
In the Tudor period, garments for court masks were discard of or given to the players after alteration and translation. Some of these garment could have gone into the store of a playing company in the latter half of the 16th century. Sumptuous dresses, emphatic colors, and sensational stage performance were the features of pre-Shakespearean stage. Although characteristics of plays changed after 1594, costumes were still the most important visual aspect of production.
|
