Baudelaire and Zola: Succession and transformation ofthe concept of "La modernite" in Art and Literature
| Project/Area Number |
21520328
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
European literature (English literature excluded)
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| Research Institution | Kobe University |
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Principal Investigator |
YOSHIDA Noriko 神戸大学, 大学院・国際文化学研究科, 教授 (20201006)
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| Project Period (FY) |
2009 – 2012
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| Project Status |
Completed (Fiscal Year 2012)
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| Budget Amount *help |
¥4,030,000 (Direct Cost: ¥3,100,000、Indirect Cost: ¥930,000)
Fiscal Year 2012: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2011: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2010: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2009: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
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| Keywords | 仏文学 / ゾラ / ボードレール / マネ / 印象派 / モデルニテ / 文学と絵画 / 美術批評 / マラルメ |
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| Research Abstract |
In the conventional study of Zola, rarely is the relationship between Zola and Baudelaire taken into consideration. In this study, we show that Zola, the theorist of naturalism, expresses an antipathy towards Baudelaire, but that Zola, defender of Manet, was, in reality, much influenced by Baudelaire. In addition, it is generally allowed that Zola was somewhat separate in his ideas from Manet and the Impressionists in the late 70s. However, in this study, we demonstrate that a certain correspondence in the relations of Zola and Manet exist up until the early 80s, and that many correlations can be seen between Zola’s novels and Manet’spictures.
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Report
(5 results)
Research Products
(26 results)
