| Project/Area Number |
21720081
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Single-year Grants |
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| Research Field |
Japanese literature
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| Research Institution | Ritsumeikan University |
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Principal Investigator |
MURATA Hirokazu Ritsumeikan University, 文学部, 助教 (10449530)
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| Project Period (FY) |
2009 – 2010
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| Project Status |
Completed (Fiscal Year 2010)
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| Budget Amount *help |
¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Fiscal Year 2010: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2009: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
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| Keywords | 前衛芸術運動 / タイポグラフィ / 印刷文化史 / 萩原恭次郎 / アナキズム / プロレタリア / アヴァンギャルド / 能勢克男 / 活字活版印刷 / 中野重治 |
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| Research Abstract |
For this project I examined the genesis and techno-historical context of the poetry collection Death sentence (Shikei senkoku 1925) by Kyojiro Hagiwara and Tatsuo Okada. This collection was what they termed a "combined artistic movement through typography" that joined media and genres toward a new kind of art. For one aspect of the project I held a symposium that reexamined diverse aspects of the proletarian arts in the 1920's with a focus on the visual arts such as fine art, film and manga. Through this project I highlighted the ways in which experimental activity was performed in the borders of genres.
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