The Gender Consciousness in Yue Opera and its Signigficance in Modern Days-Seeking the possibility of all-female theater by comparing those of Japan and China
| Project/Area Number |
22520163
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Kobe Gakuin University |
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Principal Investigator |
NAKAYAMA Fumi 神戸学院大学, 人文学部, 教授 (30217939)
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| Project Period (FY) |
2010 – 2012
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| Project Status |
Completed (Fiscal Year 2012)
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| Budget Amount *help |
¥4,030,000 (Direct Cost: ¥3,100,000、Indirect Cost: ¥930,000)
Fiscal Year 2012: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2011: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2010: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
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| Keywords | ジェンダー / 女性演劇 / 日中比較 / 越劇 / 演劇交流 / 中国演劇 / 国際研究者交流、中国 / 国際情報交換、中国 / 国際演劇交流、中国 |
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| Research Abstract |
This study aims to explore the possibility of all-female theater of Japan and China. It was found that the personality of the heroine of“Ban Zhao”directed by Yang Xioaqing was very much different in Yueju, all-female theater from that of Kunqu(昆 劇), male and female theater. To comprehend the current situation of the all-female theater in China, we organized a lecture meeting in Osaka by Qian Jue, female theater director. Furthermore, we supported to present the play “Soredemo watashi wa sora wo miru (I still look up the sky)” in Shanghai and held a round-table discussion by female theater people to elucidate the difference of gender consciousness in Japan and China.
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Report
(4 results)
Research Products
(38 results)
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[Presentation] 喩栄軍与日本2011
Author(s)
中山文
Organizer
青年作家喩栄軍作品研討会
Place of Presentation
上海衡山賓館、衡山ホール
Year and Date
2011-12-03
Related Report
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