| Project/Area Number |
22520309
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
European literature (English literature excluded)
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| Research Institution | Kyoto University |
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Principal Investigator |
KLAWITTER Arne 京都大学, 高等教育研究開発推進機構, 准教授 (90444778)
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| Project Period (FY) |
2010 – 2012
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| Project Status |
Completed (Fiscal Year 2012)
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| Budget Amount *help |
¥2,470,000 (Direct Cost: ¥1,900,000、Indirect Cost: ¥570,000)
Fiscal Year 2012: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2011: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2010: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
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| Keywords | 主観化 / フーコー / パノプティコン / パノラマ / 断片(断章) / 国際研究者交流 / 19世紀20世紀のドイツ文学 / ヨーロッパ文化史 / 断片 / 美的知覚 / 主観化技術 / 眼差しの条件づけ / ドイツ文学 |
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| Research Abstract |
Until now the fragment has been studied either as a metaphor for aesthetic modernism or as a special form of the literary absolute. The planned investigation intends to overcome this conceptual framework and will ask for the conditions of the subject constitution. In particular, it asks how modern subjectivity expresses itself in artefacts and especially in literary forms like the fragment at the beginning of the 19th century and which role certain aesthetical forms could play for the constitution of the modern subject. The fragment, therefore, is understood as a medium that reflects the conditions of the subject constitution. In addition to the fragment, I want to examine the panorama as a second way of subjectification. Characteristic of the panorama is the view from an elevated point and the possibility of unlimited visibility. Thus, it implies the ubiquity of the gaze and is linked, in a certain sense, to the panopticon, which was described by Foucault in his study “Discipline and punish”. Both, fragmentation and to the arrangement of the panorama, will be studied as complementary techniques of subjectification.
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