| Project/Area Number |
23520158
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
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| Co-Investigator(Renkei-kenkyūsha) |
HIRATAKA Noriko 玉川大学, 文学部, 教授 (00266248)
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| Project Period (FY) |
2011 – 2013
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥3,510,000 (Direct Cost: ¥2,700,000、Indirect Cost: ¥810,000)
Fiscal Year 2013: ¥520,000 (Direct Cost: ¥400,000、Indirect Cost: ¥120,000)
Fiscal Year 2012: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
Fiscal Year 2011: ¥2,210,000 (Direct Cost: ¥1,700,000、Indirect Cost: ¥510,000)
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| Keywords | 吉本光蔵 / 軍楽隊 / 留学生 / ベルリン音楽院 / 日本音楽 / 日露戦争 / 日比谷奏楽 / 海軍軍楽隊 / 近代日本音楽史 |
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| Research Abstract |
At the Berlin Conservatory of Music from 1900-1902, Mitsuzo Yoshimoto (1863-1907), one of the naval bandmasters of Japan, studied as a "bandmaster student". After returning to Japan, he served as the bandmaster of the Second Battle Fleet's flagship "Izumo" during the Russo-Japanese War in 1904-1905.
This study aims to examine his diaries from the viewpoints of the musical exchange between Europe and Japan at that time. The results are as follows: 1) Europeans became to considerably recognize Japanese music from Japanese theatrical troupes and Yoshimoto's transcriptions of Japanese songs. 2) From 1908, the Japanese Navy adopted a specialized educational program for bandmaster candidates at the Tokyo Conservatory of Music. It is very likely that it was modeled after the Berlin Conservatory of Music's program. 3) During the war, the naval band played not only for daily duties, but also during operations and ceremonies for the war dead. Biwa and shakuhachi, were also played privately.
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