| Project/Area Number |
23520169
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Osaka University |
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Principal Investigator |
FUKUOKA Madoka 大阪大学, その他の研究科, 准教授 (40379318)
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| Project Period (FY) |
2011 – 2013
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Fiscal Year 2013: ¥130,000 (Direct Cost: ¥100,000、Indirect Cost: ¥30,000)
Fiscal Year 2012: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2011: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
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| Keywords | 大衆芸術 / 伝統芸能 / インドネシア / コミック・ワヤン / マハーバーラタ / R.A.Kosasih / ワヤン・コミック / ワヤン wayang / コミック comic / インドネシア Indonesia / マハーバーラタ Mahabharata / コミック comic / インドネシア Indonesia / マハーバーラタ Mahabharata |
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| Research Abstract |
This study examines the characteristics of Indonesian comic works focusing on the repertoire of the Mahabharata, one of the major epic poems of ancient India. Among Indonesian comic writers, R.A.Kosasih(1919-2012)was the best known and most successful. Since 1950's he created his popular komik wayang, or comics of wayang, which earned its title because of its close relationship with the wayang theater.
This study focused on his series of works from the Mahabharata. He created them from the main stories of the Mahabharata also creating works base on special episodes in Javanese wayang performaces. In addition, Kosasih was greatly affected by several Indonesian translations of epic poems. In this study I consider Kosasih's unique way of dramatization by comparing the episodes in wayang performance witht the corresponding parts in Kosasih's comic work.
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