| Project/Area Number |
23520378
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
European literature (English literature excluded)
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| Research Institution | Osaka University |
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Principal Investigator |
DISSON AGNES 大阪大学, 文学研究科, その他 (90543489)
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| Project Period (FY) |
2011 – 2013
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥3,640,000 (Direct Cost: ¥2,800,000、Indirect Cost: ¥840,000)
Fiscal Year 2013: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2012: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2011: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
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| Keywords | フランス現代詩 / 超現代 / ジャック・ルーボー / アンヌ・ポルチュガル / 関口涼子 / シュザンヌ・ドッペルト / Pierre Alferi / Jacques Roubaud / Anne Portugal / Ryoko Sekiguchi / French poetry / 超現代詩 / オスカー・パスティオール / バイリンガリズム |
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| Research Abstract |
I have been able to draw an extensive diagram of French poetry today, in order to put in perspective its main traits and formal characteristics, and to reach a possible definition of the elusive notion of "extreme contemporary" in literature. My aim was to stress how much ultra-contemporary poetry paradoxically owes to ancient poetic models and antique texts (i.e Japanese medieval poetry for J. Roubaud), while being open to the contribution of bilinguism (R. Sekiguchi), image and photography (S. Doppelt, A. Portugal), and recent scientific developments (cellular biology, ecology, plant studies) as new poetic material.
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