| Budget Amount *help |
¥3,250,000 (Direct Cost: ¥2,500,000、Indirect Cost: ¥750,000)
Fiscal Year 2013: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2012: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2011: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
|
|---|
| Outline of Final Research Achievements |
Following Aeschylus’ simple dichotomy, in this study, Greek cult statues are categorized into “old” and “new”. The former boasted mythical origins and were venerated by ancient Greeks as the holiest; the latter, on the other hand, were created by more contemporary sculptors with new marble-carving and bronze-casting techniques, introduced in Greece during the Archaic period.
For both types of statues, characteristics of their divine power are considered, based on detailed examinations of ancient literary sources and of surviving ancient cult statues. It is concluded that, while the divine power of “old” statues are essentially linked to physical contact and independent from the intention of the gods, the “new” statues were created as the double-images of the gods themselves. Thus, their power was visual and far-reaching. Among the sculptors of “new” statues it was Pheidias and his disciples who consciously endowed the new type of divine power to their cult statues.
|
