| Project/Area Number |
23652054
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| Research Category |
Grant-in-Aid for Challenging Exploratory Research
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| Allocation Type | Multi-year Fund |
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| Research Field |
Japanese literature
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| Research Institution | Bunkyo Gakuin College |
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Principal Investigator |
YOSHIDA Yayoi 文京学院短期大学, その他部局等, 准教授 (00389876)
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| Co-Investigator(Kenkyū-buntansha) |
HOSOI Naoko 立教大学, 異文化コミュニケーション学部, 教授 (40219184)
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| Project Period (FY) |
2011 – 2013
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥3,380,000 (Direct Cost: ¥2,600,000、Indirect Cost: ¥780,000)
Fiscal Year 2013: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2012: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2011: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
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| Keywords | 歌舞伎研究 / 近世・近代芸能史 / 宝塚歌劇研究 / 比較演劇研究 / 大衆文化研究 / 東アジア文化研究 / 舞踊学 / 日本演劇史 / 比較演劇 / 国際研究者交換 / 近世文学研究 / 近代文化研究 / 演劇脚本研究 / アジア文化研究 / 国際情報交流 |
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| Research Abstract |
The influence relation between kabuki and the Takarazuka revue which is the musical produced in both Japan was considered with the viewpoint of one seaway of the history of Japanese theater through work analysis. The state of existence of a performer's gender and the author working for a particular theater and a star system, etc. were able to have similarity, though it conflicted, and it was able to explain them concretely that it was 100 years which also have dense relationship in the field of theater offer, a technological tie-up, etc. Furthermore, it put on the Japanese theater in modernization, and has also checked the position in the East Asia theater world.
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