| Project/Area Number |
23820010
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| Research Category |
Grant-in-Aid for Research Activity Start-up
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| Allocation Type | Single-year Grants |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Hitotsubashi University (2012)
The University of Tokyo (2011) |
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Principal Investigator |
KOIZUMI Masaya 一橋大学, 大学院・言語社会研究科, 准教授 (50613858)
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| Project Period (FY) |
2011 – 2012
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| Project Status |
Completed (Fiscal Year 2012)
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| Budget Amount *help |
¥3,120,000 (Direct Cost: ¥2,400,000、Indirect Cost: ¥720,000)
Fiscal Year 2012: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2011: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
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| Keywords | フランス近代美術史 / 芸術家受容 / ポール・ゴーガン / コレクション / 美術館 |
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| Research Abstract |
This research project investigated the reception of Paul Gauguin (1848-1903) in France in terms of the collection of his works in art museums. It analyzed a variety of primary sources, such as summary minutes of museum council meetings and examined the role that art museums have played in his reception, with a particular focus on its contemporary context in art history. After an intensive investigation, most of the collection includes groups of his works which were acquired by gift or bequest and further study on the historical process is therefore needed about few purchased works. The museum is not only a mirror of the history, but also an instrument of historical change, in which many elements are involved. This study demonstrated a significant relationship between the reception of the artist and the history of the museum’s collections.
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