Study for the position of the Art in the ontology of Merleau-Ponty
Project/Area Number |
24520027
|
Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Multi-year Fund |
Section | 一般 |
Research Field |
Philosophy/Ethics
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Research Institution | Tokyo Denki University |
Principal Investigator |
HITOSHI HONGO 東京電機大学, 工学部, 教授 (00229246)
|
Project Period (FY) |
2012-04-01 – 2015-03-31
|
Project Status |
Completed (Fiscal Year 2014)
|
Budget Amount *help |
¥2,860,000 (Direct Cost: ¥2,200,000、Indirect Cost: ¥660,000)
Fiscal Year 2014: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2013: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2012: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
|
Keywords | メルロ=ポンティ / セザンヌ / パウル・クレー / 芸術 / 音楽 / 存在論 / 中間領域 / 見えないもの / アンリ / クレー / フランス哲学 / 現象学 / 芸術論 / 「肉」の存在論 / 絵画 |
Outline of Final Research Achievements |
This research deals with french phenomenologist Merleau-Ponty's posthumous manuscripts of the important text:"Eye and mind". It makes clear the ontological problems of Merleau-Ponty and the reason why he had argued on the Art. And the investigation on the texts of Paul Klee makes evident that Merleau-Ponty is influenced by Klee's thought on the mission of the artist. At last his reserach come to the front of the new problem, that is what is the relation between the music and ontologie.
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Report
(4 results)
Research Products
(6 results)