Manet and the Painters of Post-Realism
| Project/Area Number |
24520100
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (C)
|
| Allocation Type | Multi-year Fund |
|---|
| Section | 一般 |
|---|
| Research Field |
Aesthetics/Art history
|
|---|
| Research Institution | The University of Tokyo |
|---|
Principal Investigator |
MIURA ATSUSHI 東京大学, 総合文化研究科, 教授 (10212226)
|
|---|
| Project Period (FY) |
2012-04-01 – 2015-03-31
|
| Project Status |
Completed (Fiscal Year 2014)
|
| Budget Amount *help |
¥5,200,000 (Direct Cost: ¥4,000,000、Indirect Cost: ¥1,200,000)
Fiscal Year 2014: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Fiscal Year 2013: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
Fiscal Year 2012: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
|
|---|
| Keywords | マネ / レアリスム / フランス絵画 / ファンタン＝ラトゥール / ドガ / ルグロ / ホイッスラー / ポスト・レアリスム / 画中画 / 19世紀フランス絵画 / 写真 / 複製 |
|---|
| Outline of Final Research Achievements |
I approached the French painting of the 1860s from the perspective of "post-realism" after Courbet, and considered comprehensively the aesthetics and plastic techniques that are common to five painters: Manet, Fantin-Latour, Degas, Legros and Whistler. As a result, emerged the characteristicns as awareness of the pictorial framework and cutting of works, assemblage of images, insertion of pictures and mirrors in paintings, usage of different "matieres", etc. It is just in France of the 1860s that the phenomenon to be referred as "genesis of modern tableau" appeared in history of Western painting. Manet and "post-realists" took on this role.
|
Report
(4 results)
Research Products
(23 results)
