Performance study of the composition for piano four hands of F. Schubert on the original fortepiano in the 1820s
| Project/Area Number |
25370169
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Art at large
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| Research Institution | Wakayama University |
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Principal Investigator |
YAMANA jin 和歌山大学, 教育学部, 教授 (00314550)
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| Research Collaborator |
TSUTSUI Haruka
YAMANA Tomoko
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| Project Period (FY) |
2013-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥3,510,000 (Direct Cost: ¥2,700,000、Indirect Cost: ¥810,000)
Fiscal Year 2015: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2014: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2013: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
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| Keywords | オリジナルフォルテピアノ / シューベルト / 連弾 / バスーン / ヤニチャーレン / モデレイター / ダブルモデレイター / ローゼンベルガー / ファゴットペダル / トルコベダル / モデラートペダル / ダブルモデラートペダル / ペダルの使用法 / トルコペダル |
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| Outline of Final Research Achievements |
This study has revealed the following three points according to the literature research. 1) In Vienna the 1820s to the 1830s, the number of the pedals of the fortepiano has increased by six or seven, after that it has reduced. 2) The number of works for piano four hands has also increased until 1826. This situation has maintained for 9 years, but after that it has begun to decline. 3) Therefore it makes clear that between 1) and 2) has a relationship closely.
Also we examined a lot of combinations of the pedals in all of the works for four hands of F. Schubert. It has revealed the following two points. 1) That the space between the pedals is very close shows that we can use the neighboring pedals at the same time with only one foot. 2) It should be difficult to operate six pedals with only two legs, but it will be possible to maximize the effects of all the pedal when two players use their four legs.
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Report
(4 results)
Research Products
(6 results)
