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Performance study of the composition for piano four hands of F. Schubert on the original fortepiano in the 1820s

Research Project

Project/Area Number 25370169
Research Category

Grant-in-Aid for Scientific Research (C)

Allocation TypeMulti-year Fund
Section一般
Research Field Art at large
Research InstitutionWakayama University

Principal Investigator

YAMANA jin  和歌山大学, 教育学部, 教授 (00314550)

Research Collaborator TSUTSUI Haruka  
YAMANA Tomoko  
Project Period (FY) 2013-04-01 – 2016-03-31
Project Status Completed (Fiscal Year 2015)
Budget Amount *help
¥3,510,000 (Direct Cost: ¥2,700,000、Indirect Cost: ¥810,000)
Fiscal Year 2015: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2014: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2013: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Keywordsオリジナルフォルテピアノ / シューベルト / 連弾 / バスーン / ヤニチャーレン / モデレイター / ダブルモデレイター / ローゼンベルガー / ファゴットペダル / トルコベダル / モデラートペダル / ダブルモデラートペダル / ペダルの使用法 / トルコペダル
Outline of Final Research Achievements

This study has revealed the following three points according to the literature research. 1) In Vienna the 1820s to the 1830s, the number of the pedals of the fortepiano has increased by six or seven, after that it has reduced. 2) The number of works for piano four hands has also increased until 1826. This situation has maintained for 9 years, but after that it has begun to decline. 3) Therefore it makes clear that between 1) and 2) has a relationship closely.
Also we examined a lot of combinations of the pedals in all of the works for four hands of F. Schubert. It has revealed the following two points. 1) That the space between the pedals is very close shows that we can use the neighboring pedals at the same time with only one foot. 2) It should be difficult to operate six pedals with only two legs, but it will be possible to maximize the effects of all the pedal when two players use their four legs.

Report

(4 results)
  • 2015 Annual Research Report   Final Research Report ( PDF )
  • 2014 Research-status Report
  • 2013 Research-status Report
  • Research Products

    (6 results)

All 2014 Other

All Presentation (1 results) Remarks (5 results)

  • [Presentation] 1810~30年代ヴィーン式ピアノのペダルと連弾文化の関連について ――ミヒャエル・ローゼンベルガー製作(1820年頃)のピアノに基づいて――2014

    • Author(s)
      山名敏之、筒井はる香
    • Organizer
      日本音楽学会
    • Place of Presentation
      九州大学大橋キャンパス
    • Year and Date
      2014-11-08 – 2014-11-09
    • Related Report
      2014 Research-status Report
  • [Remarks] ローゼンベルガー製作(1820年頃)のフォルテピアノのペダルの動画

    • URL

      http://www.klavi.info/#content_1_2

    • Related Report
      2014 Research-status Report
  • [Remarks] ウィーン式フォルテピアノのペダル Vol.4 シューベルト:行進曲(4手) トリオ

    • URL

      https://www.youtube.com/watch?v=1Q2QPzPx0ZE

    • Related Report
      2014 Research-status Report
  • [Remarks] ウィーン式フォルテピアノのペダル Vol.3 モーツァルト:トルコ行進曲

    • URL

      https://www.youtube.com/watch?v=PG3dEZcZvqM

    • Related Report
      2014 Research-status Report
  • [Remarks] ウィーン式フォルテピアノ Vol.1 ペダル装置の実際

    • URL

      https://www.youtube.com/watch?v=9PBiKP5KaDM

    • Related Report
      2014 Research-status Report
  • [Remarks] ウィーン式フォルテピアノのペダル Vol.2 3種類の弱音ペダル

    • URL

      https://www.youtube.com/watch?v=UoXkXa2gYGw

    • Related Report
      2014 Research-status Report

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Published: 2014-07-25   Modified: 2019-07-29  

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