Study for the presentation strategy in the Museum of Applied Arts in Berlin during its founding time - Diorama and the family Gropius as essential origin
| Project/Area Number |
25370201
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Art at large
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| Research Institution | The National Museum of Modern Art,Kyoto |
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Principal Investigator |
Ikeda Yuko 独立行政法人国立美術館京都国立近代美術館, 学芸課, 主任研究員 (50270492)
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| Project Period (FY) |
2013-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥3,510,000 (Direct Cost: ¥2,700,000、Indirect Cost: ¥810,000)
Fiscal Year 2015: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2014: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2013: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
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| Keywords | 工芸博物館 / ジオラマ / グロピウス / ベルリン / クンストゲヴェルベ / シンケル / 視覚文化論 |
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| Outline of Final Research Achievements |
The Museum of Applied Arts in Berlin was founded in 1867. Its first gallery opened in the former “Diorama of Gropius” created by Carl Wilhelm Gropius. The original museum building was designed by Martin Gropius and came to open in 1881. Diorama is the revolutionary device enabled the virtual visual experience in the 19th Century. Remarkably the functions as gallery and workshop were adapted to “Diorama of Gropius”. This study can explain concretely, on the basis of contemporary documentation like as new paper, periodical etc., that the multi-function of Gropius’ Diorama was succeeded to the presentation strategy of the museum of applied arts which showed the objects from the period and country not enabled to experience practically and that the family Gropius played the distinctive roll in this history.
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Report
(4 results)
Research Products
(9 results)
