| Project/Area Number |
25871215
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Fine art history
Japanese literature
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| Research Institution | Aoyama Gakuin University |
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Principal Investigator |
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| Project Period (FY) |
2013-04-01 – 2017-03-31
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| Project Status |
Completed (Fiscal Year 2016)
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| Budget Amount *help |
¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
Fiscal Year 2014: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2013: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
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| Keywords | 文人画 / 室町文化 / 池大雅 / 水墨表現 / 画賛 / 中世水墨画 / 版画 / パトロン / 白隠 / 室町水墨画 / 南画 / 自性寺 / 中国 / 作画思想 / 如拙 / 雪舟 / データベース / 植松家 / 徳源寺 / 指頭画 |
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| Outline of Final Research Achievements |
Focusing on the Muromachi period ink paintings Ike Taiga (1723-1776) copied and studied, the research aimed to clarify the original sources of the inscriptions given on the paintings as well as the expression style of the paintings themselves. In Japanese art history, it has been generally understood that Japanese literati painting developed out of admiration towards China. With this view, the Japanese ink painting study tended to focus on the influence from Chinese painting.
Through this research, it has become clear that the works of major medieval Japanese ink painting artists, such as Josetsu, Shubun, Sesshu and their succesors including Koetsu and Hakuin, provided the breakthrough in Taiga’s painting style leading to its maturity in his forties. The Muromachi-period Japanese ink paintings were another major source of influence and was brand-like in importance. The discovery points out to the need for reconsideration in future studies of mentality of Japanese literati painters.
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