| Project/Area Number |
26370102
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Aesthetics and studies on art
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| Research Institution | Okinawa Prefectural University of Arts |
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Principal Investigator |
TAKASE Sumiko 沖縄県立芸術大学, 音楽学部, 准教授 (60304565)
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| Research Collaborator |
MAESHIMA Miho
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| Project Period (FY) |
2014-04-01 – 2019-03-31
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| Project Status |
Completed (Fiscal Year 2018)
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| Budget Amount *help |
¥2,990,000 (Direct Cost: ¥2,300,000、Indirect Cost: ¥690,000)
Fiscal Year 2017: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2016: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2015: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2014: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
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| Keywords | 日本音楽史 / 楽律学 / 雅楽 / 林謙三 |
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| Outline of Final Research Achievements |
Ritsukan are a type of pitch pipe invented in pre-Qin period China and introduced to Japan during the Nara period. This study examines the background and current state of the instrument. I have measured 7 ritsukan held by 5 Japanese museums, with the following results: (1) the measurements are similar, so their pitches likely do not differ significantly; and (2) some doubt exists whether these ritsukan were produced using the sanbun-son’eki (Pythagorean temperament) method. Further research is required to clarify the relationship of Japanese ritsukan and gakuritsugaku, the theory of musical pitches thought to be their antecedent.
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| Academic Significance and Societal Importance of the Research Achievements |
本研究の学術的意義は、律管という側面から、日本の楽律学の再発見と再評価に貢献したことである。楽律学とは、中国伝統音楽における広義の音楽理論を指し、清代以前には、主に雅楽に関わる理論として発展した。中国では、雅楽の伝承が途絶えた一方で、楽律学は今日なお継承されているのに対し、日本では、雅楽が伝承されている一方で、楽律学の存在は忘却されてきた。しかし、近年、音楽学や中国哲学の一部において、日本の楽律学の再評価が進みつつあり、本研究はその一助と考えている。
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