"Phenomena on borders" in the Early Modern Colonial Art. Theory and Case Studies
| Project/Area Number |
26370133
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Fine art history
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| Research Institution | Osaka University |
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Principal Investigator |
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| Project Period (FY) |
2014-04-01 – 2018-03-31
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| Project Status |
Completed (Fiscal Year 2017)
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| Budget Amount *help |
¥4,940,000 (Direct Cost: ¥3,800,000、Indirect Cost: ¥1,140,000)
Fiscal Year 2017: ¥520,000 (Direct Cost: ¥400,000、Indirect Cost: ¥120,000)
Fiscal Year 2016: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2015: ¥1,560,000 (Direct Cost: ¥1,200,000、Indirect Cost: ¥360,000)
Fiscal Year 2014: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | 植民地美術 / ラテンアメリカ / スペイン / 美術史 / 植民地 / 美術 / 接触領域 |
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| Outline of Final Research Achievements |
By examining artworks from colonial Mexico and Andes, this research project has demonstrated the facts that it was the completion of the dominance that allowed the subordinates in the colonies to obtain the access to the dominant culture, and that, therefore, the elite in the colonial indigenous society could retain the possibility to survive socially. This research has also proposed a theoretical framework to describe such "phenomena on borders" in arts as a process of the strategic "articulation" of various elements of material, technique, style, and iconography that had culturally diverse origin.
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Report
(4 results)
Research Products
(16 results)
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[Presentation] 接触領域の芸術2014
Author(s)
岡田裕成
Organizer
民族藝術学会公開シンポジウム「接触領域の芸術」
Place of Presentation
国立民族学博物館
Year and Date
2014-09-21
Related Report
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