A basic research on the new expressions of the regular script developed by autonomous engraving styles coexisting in epitaphs of the Northern dynasties and Sui dynasty
| Project/Area Number |
26370141
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Fine art history
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| Research Institution | Daito Bunka University |
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Principal Investigator |
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| Project Period (FY) |
2014-04-01 – 2017-03-31
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| Project Status |
Completed (Fiscal Year 2016)
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| Budget Amount *help |
¥3,770,000 (Direct Cost: ¥2,900,000、Indirect Cost: ¥870,000)
Fiscal Year 2016: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2015: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2014: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
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| Keywords | 石刻 / 刻法 / 鐫刻 / 筆法 / 書法 / 楷書法 / 美術史 / 刻者 / 隋 / 楷書 / 墓誌 / 書道史 / 顔法 |
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| Outline of Final Research Achievements |
Multiple styles of calligraphy can be often observed in a single stone inscription in the Northern dynasties and Sui dynasty of China. This fact means that multiple engravers had their own carving styles independent of handwritten manuscript. These autonomous carving styles are sometimes inherited beyond space and time. Our research has discovered that they develop new expressions of the regular script prior to brushwork in some cases. That is to say, new styles of calligraphy can be born from not only brushwork but carving styles. This new viewpoint calls for reconsideration of a history of calligraphy based on a conventional idea that engravers are faithful to the original manuscript.
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Report
(4 results)
Research Products
(6 results)
