| Project/Area Number |
26540172
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| Research Category |
Grant-in-Aid for Challenging Exploratory Research
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| Allocation Type | Multi-year Fund |
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| Research Field |
Library and information science/Humanistic social informatics
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| Research Institution | Tokyo City University |
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Principal Investigator |
OKABE DAISUKE 東京都市大学, メディア学部, 准教授 (40345468)
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| Project Period (FY) |
2014-04-01 – 2016-03-31
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| Project Status |
Completed (Fiscal Year 2015)
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| Budget Amount *help |
¥2,080,000 (Direct Cost: ¥1,600,000、Indirect Cost: ¥480,000)
Fiscal Year 2015: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2014: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
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| Keywords | ファン文化 / エスノグラフィ / 学習 / 足場掛け / ソーシャルファブリケーション / ものづくり / ファンダム / 野火的活動 / 交換形態 / つくる行為 / ハイブリディティ |
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| Outline of Final Research Achievements |
This research analyzes the relationship between consumption and fabrication in fan community through ethnographic case studies of 15 informants aged 21-24 participating in common-based peer production community. Learning as fan fabrication is a new wave culture of mavens, who are devoted to an alternative to mass production. Digital creation in US and craftwork (especially, “Costume Play”) in Japan is a valuable venue for observing about, for example, appropriation, poaching, scaffording, and so on. My methodology is based on shadowing and participant observation. I group my findings in two different categories: (1) learning as networking through production, (2) fan agencies visualized through informal and collective learning.
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