| 研究課題/領域番号 |
22K00230
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| 研究種目 |
基盤研究(C)
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| 配分区分 | 基金 |
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| 応募区分 | 一般 |
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| 審査区分 |
小区分01070:芸術実践論関連
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| 研究機関 | 名古屋大学 |
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研究代表者 |
馬 然 名古屋大学, 人文学研究科, 准教授 (80623446)
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| 研究期間 (年度) |
2022-04-01 – 2026-03-31
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| 研究課題ステータス |
交付 (2023年度)
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| 配分額 *注記 |
4,290千円 (直接経費: 3,300千円、間接経費: 990千円)
2025年度: 910千円 (直接経費: 700千円、間接経費: 210千円)
2024年度: 1,170千円 (直接経費: 900千円、間接経費: 270千円)
2023年度: 1,300千円 (直接経費: 1,000千円、間接経費: 300千円)
2022年度: 910千円 (直接経費: 700千円、間接経費: 210千円)
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| キーワード | Chinese cinema / independent cinema / arthouse cinema / film festival studies / Sinophone studies / translocality / affect study / border studies / Chinese indie cinema / Chinese art cinema / cultural politics / institutionalization / film festival network / film studies / Chinese-language cinema / Chinese film industry / visual politics |
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| 研究開始時の研究の概要 |
This project firstly maps out the trajectories of diversification, institutionalization, and marketization of Chinese independent filmmaking in relation to the global/regional/national mediascapes. Secondly, it interrogates the visual politics of the independent works by highlighting their aesthetic experimentations and the drastically-changing sectors of production, distribution, and circulation/exhibition.
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| 研究実績の概要 |
I was able to publish a few research outputs, including English-language journal articles and book chapters. I also conducted field trips to Beijing in the summer of 2023, and to an international symposium Chinese Independent Cinema Archive at Newcastle University, the UK, which have greatly contributed to several of my ongoing research agendas on contemporary Chinese arthouse cinema and the transforming visual politics of Chinese independent films. My research has been further enhanced while I am staying at Cambridge under Harvard-Yenching Institute scholarship. Not only I went to give talks at New York University and Yale University. Also, part of the research output will be presented at a workshop held at Harvard in late April 2024.
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| 現在までの達成度 (区分) |
現在までの達成度 (区分)
2: おおむね順調に進展している
理由
Part of the research plans were successfully delivered, such as the already published journal articles and book chapters, and those that are scheduled to be published. The workshop that I organize at Harvard-Yenching Institute will also be the first step for me to consolidate my plan for publication, in the format of an edited volume, or a special journal issue. Meanwhile, my visiting scholarship at Harvard has benefited me in the sense that I have access to important research sources, including meeting film scholars and attending various research events. My research trips to Beijing and Newcastle also granted me crucial opportunities to meet and interview filmmakers and other professionals such as curators and producers, which would lay grounds for my current writing.
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| 今後の研究の推進方策 |
Once I am back in Asia in mid June, 2024, I plan to visit China (to cities such as Xining and Beijing) and attend important film festivals and events there to catch up with the recent developments in contemporary art film culture. A second direction will be my publication plan for an edited volume or special issue on Sinophone cinema and media, which is related to the Harvard-Yenching Institute Workshop that I am organizing. Thirdly, I will also push forward several of my own writing projects and hopefully that I could publish them within financial year 2024.
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