| 研究課題/領域番号 |
23KF0219
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| 研究種目 |
特別研究員奨励費
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| 配分区分 | 基金 |
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| 応募区分 | 外国 |
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| 審査区分 |
小区分01070:芸術実践論関連
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| 研究機関 | 東京藝術大学 |
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研究代表者 |
毛利 嘉孝 東京藝術大学, 大学院国際芸術創造研究科, 教授 (70304821)
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| 研究分担者 |
BUJAK PIOTR 東京藝術大学, 大学院国際芸術創造研究科, 外国人特別研究員
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| 研究期間 (年度) |
2023-11-15 – 2026-03-31
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| 研究課題ステータス |
交付 (2023年度)
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| 配分額 *注記 |
1,300千円 (直接経費: 1,300千円)
2025年度: 200千円 (直接経費: 200千円)
2024年度: 600千円 (直接経費: 600千円)
2023年度: 500千円 (直接経費: 500千円)
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| キーワード | empathy / inclusion / community building / civic responsibility / oppression / resistance / self-organization / public interventions |
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| 研究開始時の研究の概要 |
The initial step is to provide and reevaluate the definition of Sustainable Development Goals and its significance for the local and global cultural production with the most current context. The main stage will be to deliver a cinematographic survey about ways how Japanese art professionals have been currently defining their stands and addressing problems characteristic for that matter in their own praxis. Rendered through an ongoing, parallel own creative practice, the project will conclude in suggesting new trajectories for the implementation of SDG in academic debate and in real life.
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| 研究実績の概要 |
To this day Piotr Bujak has participated in the following activities: two art-talks, two workshops, two public performances/happenings, one lecture, one podcast interview, one group show, one solo show. One of the most important project in 2023-2024 was his solo exhibition and related events at Koganei Art Spot/Artful Action, Tokyo
He had also visited for the research trips Ishigaki, Hiroshima and Kyoto, studying local scene and institutions there.
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| 現在までの達成度 (区分) |
現在までの達成度 (区分)
1: 当初の計画以上に進展している
理由
At the current moment the artistic and research works are actually going quite better than originally planned. After an intensive research Piotr Bujak and I were able to successfully deliver a bunch of experimental projects, directly addressing the problem theme from our research proposal and underscoring how broad political issues have been becoming steadily more visible and present within the Japanese contemporary cultural circuit after 2019, as well as noticing and analysing (in practice) its unique poetical character, how it fluctuated after 2019 and how it differs from Central European take.
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| 今後の研究の推進方策 |
Our intention is to continue working in a current methodological framework, focusing on an in-depth field-work research (including interviews and site visits) and delivering a series of small-to-medium scale art-interventions, workshops, collaborative experiments (like the ongoing project with Kosuke Nagata) and pop-up/ regular exhibitions. At this moment (until October 2025) we have planned and confirmed at least three individual Bujak's shows, one curated show, several performances and a few public talks. Our program shall be continuously based on field-research trips and visits and supplemented with occasional talks and lectures.
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