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2018 年度 実績報告書

1550~1650年の日本における外来要素

研究課題

研究課題/領域番号 18H05566
配分区分補助金
研究機関九州大学

研究代表者

Schweizer Anton  九州大学, 人文科学研究院, 教授 (10822885)

研究期間 (年度) 2018-08-24 – 2020-03-31
キーワードMaterial culture / Intellectual history / Art history / Transcultural exchange
研究実績の概要

The first year of this project focused on three limited case studies: stone technology used in Japanese castle architecture; the employment of birds' feathers on armor surcoats (jinbaori); and representations of Portuguese foreigners in festival depictions (matsuri-zu). The overarching questions about the role of Japan in the larger context of the so-called "first Globalization" and the complex migration of ideas, individuals, and objects could be approached in a much more integrated and differentiated way.
A number of field trips (Tokyo, Atami, Kyoto, Yamaguchi, Hizen Nagoya, Seoul) was undertaken and contacts with leading specialists working in relevant fields were established. The direct investigation of relevant art works, archival materials, and items of material culture such as armor surcoats proved as being of fundamental importance.
At the beginning of the project year, necessary equipment (books, computers) was purchased and a collection of photographic materials and metadata was undertaken in preparation for research and the creation of an open-access databank. Consultations with an IT specialist about the ideal configuration of the projected image and research data bank have begun and will lead to specific recommendations for the implementation.

現在までの達成度 (区分)
現在までの達成度 (区分)

2: おおむね順調に進展している

理由

A number of research trips and presentations of preliminary research results to relevant colleagues in Japan, China, and the USA have been conducted. The on-sight experience and feedback from colleagues have largely aided the establishment of reliable empirical and quantitative research, one of the key points of this project.
At this point, the planning for the second-year workshop "The Forgotten Legacy: Japan's Material Culture of the Global Age Reconsidered" (November 30, 2019) has far advanced. A project meeting with the members of another, related research project (the Azuchi screen research initiative, based in Osaka and Melbourne) has largely helped in clarifying basic assumptions and sharpening the focus of this project.
The development of the databank "Q-MC" is proceeding according to plan.

今後の研究の推進方策

The second project year will proceed further along the initially envisioned lines.One main insight that was gained from the first year is that specialists from other academic traditions and curators of relevant collections abroad should be invited to comment at an early stage so that their expertise can be integrated to fundamental discussions of the research architecture and strategical planning before these have been advanced so far that changes become more difficult to implement.
Of crucial importance will be the workshop in November. Four preeminent authorities in the field have accepted invitations (William Coaldrake; Nomura Shun'ichi, Mark Karl Erdmann; Paola Cavaliere). A planned visit with these experts to the castle ruins of Azuchi and Hizen Nagoya and a joint discussion of future collaborative ventures will provide the framework for a continuation and expansion of the research started with this project.

  • 研究成果

    (4件)

すべて 2018

すべて 学会発表 (4件) (うち国際学会 1件、 招待講演 3件)

  • [学会発表] “Dressed to Kill: Momoyama Military Equipment.”2018

    • 著者名/発表者名
      Anton Schweizer
    • 学会等名
      Japan’s Global Baroque, workshop Yale University, New Haven, USA.
    • 招待講演
  • [学会発表] “Conserving Impermanence: Transcultural Approaches to Architectural Lacquering.”2018

    • 著者名/発表者名
      Anton Schweizer
    • 学会等名
      World Social Science Forum, Fukuoka, JAPAN.
    • 国際学会
  • [学会発表] “Clad in Otherness: Imported Materials on Japanese Campaign Coats.”2018

    • 著者名/発表者名
      Anton Schweizer
    • 学会等名
      Eurasian Connections, symposium Center for Global Asia, NYU Shanghai, CHINA.
    • 招待講演
  • [学会発表] “Kyoto kara Doitsu made: Genroku no oshie-bina no saihakken” 京都からドイツまで:元禄の押絵雛の再発見2018

    • 著者名/発表者名
      Anton Schweizer
    • 学会等名
      School of Humanities, Kyushu University, Fukuoka, JAPAN.
    • 招待講演

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公開日: 2019-12-27  

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