2019 Fiscal Year Final Research Report
Interdisciplinary studies of the relationship history of Japanese and Chinese films during the trans-war regime
| Project/Area Number |
17K02387
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Art at large
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| Research Institution | Japan Institute of the Moving Image |
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Principal Investigator |
Yan Ni 日本映画大学, 映画学部, 特任教授 (70509140)
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| Co-Investigator(Kenkyū-buntansha) |
志賀 賢子 (川崎賢子) 立教大学, 文学部, 特任教授 (40628046)
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| Project Period (FY) |
2017-04-01 – 2020-03-31
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| Keywords | 貫戦期 / 越境 / 交渉 / 移動 / メディア / 大衆文化 / インテリジェンス / プロパガンダ |
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| Outline of Final Research Achievements |
This project has held two international conferences in the first and the last years respectively, and the research results of the first year have been published in special issue titled as Sino-Japanese Film during the Transwar Regime on Intelligennce. In the second year, two monographs were published. One is Film in Wartime: Japan, East Asia, Germany, co-edited by YAN Ni and IWAMOTO Kenji; and the other is One More Lady: LI Xianglan, YAMAGUCHI Yoshiko, YAMAGUCHI Shirley, Written by KAWASAKI Kenko. In the process of promoting this research project, the communication network of experts and scholars at home and abroad has been built. The members of this project have made oral presentations at seminars or conferences held at home and abroad for several times, and published relevant papers in Japanese, English and Chinese. After 3 years of research, the expected goal has been achieved, and the research has been further studied while the multi-field cooperation has been realized.
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| Free Research Field |
日中映画交渉史
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| Academic Significance and Societal Importance of the Research Achievements |
本研究は、既成の映画史叙述の空白分野に焦点を絞り、他分野の学術成果を参考に、研究分野を横断しつつ、日中映画交渉を国に跨るアジアの歴史文脈とより広い空間において検証しなおすことを試みた。一次資料であるフィルムの発見と公文書や活字資料の調査に努めた結果、まだ十分とは言えないが、一連の研究成果の公開を通して、日中映画交渉史を新たに構築する基礎を作り上げることができた。また映画というテキストと歴史の断絶や連続との関連性、あるいは俳優の映画における表象とその歴史的実像などに関する研究成果は、学術のみならず、映画史と表象文化のもう一つの捉え方を示し、広く社会に向けて発信できたように思われる。
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