2020 Fiscal Year Final Research Report

Basic research on text generation of Heian period court song centered on Fuzoku-uta & Azumaasobi-uta

Research Project

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Project/Area Number	18K00324
Research Category	Grant-in-Aid for Scientific Research (C)
Allocation Type	Multi-year Fund
Section	一般
Review Section	Basic Section 02010:Japanese literature-related
Research Institution	Dokkyo University
Principal Investigator	IIJIMA Kazuhiko 獨協大学, 国際教養学部, 非常勤講師 (50212692)
Co-Investigator(Kenkyū-buntansha)	城崎陽子獨協大学, 国際教養学部, 特任教授 (20384000) 本塚亘獨協大学, 外国語学研究科, 研究生 (20816136) 山崎薫盛岡大学, 文学部, 助教 (90822958)
Project Period (FY)	2018-04-01 – 2021-03-31
Keywords	風俗歌
Outline of Final Research Achievements	As a result of this research, regarding the Fuzoku-uta in the Heian period court songs, there are groups of song scores formed according to each period in the Heian period and the Kamakura period. So it became clear that some of the Fuzoku-uta songs were left as old manuscripts, and some of others left as manuscript of musicians until the Edo period, and that there were other lines of lyrics copied from old manuscripts by scholars of Kokugaku in the Edo period. Furthermore, it became clear how they were selected in the 30's of the Showa era and compiled into the Iwanami Koten Bungaku Taikei "Kodai Kayo-shu". Also, in the Monogatari literature of the Heian period, it became clear that the Fuzoku-uta functioned as a text suggesting a remote region .
Free Research Field	日本歌謡史研究
Academic Significance and Societal Importance of the Research Achievements	従来神楽歌や催馬楽に比べて風俗歌・東遊歌のテキストがどのように形成されたかは明白ではなかったにもかかわらず、昭和３２年の岩波古典文学大系『古代歌謡集』に示された「風俗歌・東遊歌」がテキストの典型として扱われ、疑われることがなかった。しかし、文芸的な１種類のテキストとして示されることで、歌謡本来の、音楽性や表現の場による可塑性や流動性が失われてしまった可能性もあり、また時代による表現の位相の違いがあったことも隠されてしまった可能性がある。本研究はその可能性の一端を、歴史的な変化の相と、音楽的側面からの変容と、物語文学に引用された表現の相から示すことができた。