2022 Fiscal Year Final Research Report
An Expansion of Japanese Modern and Contemporary Art History through Publishing Archives - From the Bijutsu Shuppansha Documents
| Project/Area Number |
20H00005
|
|---|
| Research Category |
Grant-in-Aid for Scientific Research (A)
|
| Allocation Type | Single-year Grants |
|---|
| Section | 一般 |
|---|
| Review Section |
Medium-sized Section 1:Philosophy, art, and related fields
|
|---|
| Research Institution | The University of Tokyo |
|---|
Principal Investigator |
|
|---|
| Co-Investigator(Kenkyū-buntansha) |
森 洋久 東京大学, 総合研究博物館, 准教授 (10282625)
Osawa Kei 東京大学, 総合研究博物館, 特任研究員 (80571231)
|
|---|
| Project Period (FY) |
2020-04-01 – 2023-03-31
|
| Keywords | 美術アーカイブ / 出版アーカイブ / 戦後日本美術 / 写真 |
|---|
| Outline of Final Research Achievements |
We researched, restored, digitized, and individually described (in Japanese and English) the collection of negative films of photographs from Bijutsushuppansha (consisting of 126,781 cuts), which was donated to the University Museum, the University of Tokyo, in order to constitute a database. As a result, we have considerably extended the visual corpus that serves as the basis for research on postwar Japanese art history. We analyzed the contents and historical significance of this archive in a public discussion, and considered the potential methodological reforms it could bring about in art history studies. In collaboration with major museums outside Japan, we reflected on propositions of ways to share this integrated photographic archive of postwar Japanese art on an international scale.
|
| Free Research Field |
美術史学
|
| Academic Significance and Societal Importance of the Research Achievements |
美術出版社が出版活動のなかで撮影した写真資料を統合的にアーカイブ化したことによって、戦後日本美術史の基礎資料の公開範囲を大幅に拡充した。このアーカイブはこれまで戦後日本美術史を形成した図像（イコノグラフィー）を大きく変革するもので、戦後日本美術史の方法論的転換をもたらす。また日本美術の統合的な写真アーカイブを国際的に共有することによって、この資料体が「ワールド・アート・ヒストリー」にも組み込まれる。
|
