2012 Fiscal Year Final Research Report
The Study on Body in traditional Japanese dancing , especially inGAGAKU and KAGURA, from the mystical point of view in East and West
| Project/Area Number |
22500539
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Physical education
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| Research Institution | University of Yamanashi |
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Principal Investigator |
KIMURA Harumi 山梨大学, 教育学研究科, 准教授 (00195372)
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| Project Period (FY) |
2010 – 2012
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| Keywords | 神楽 / 芸能 / 言霊 / 神秘劇 / 巫女 / シャーマン / ワザ |
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| Research Abstract |
While leaving the magic of engraved on the body, actor art of transformation to theperforming arts and, to entertainment from religiousness , on this day. Entertainmentof the Christian liturgical drama of Western medieval to develop theater art, Nohwas generated from Kagura-Sarugaku and Gagaku in the middle Ages period of Japan. Japanese performing arts was derived from on Japanese old Shinto and Buddhism. DancingSkills to change the world caused by it while playing a demon (Oni) and God (Kami),by seeing from both human and God, still alive in the folk and classical performingarts , today in east and west.
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