2013 Fiscal Year Final Research Report
The Interaction between Paintings and Waka Poems in the Imperial Court of the Early Edo Period: Focusing on Albums and Screen Paintings
| Project/Area Number |
23520132
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Musashino Art University |
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Principal Investigator |
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| Research Collaborator |
IGARASHI Koichi 兵庫県立歴史博物館, 学芸員
NOGUCHI Takeshi (財)根津美術館, 学芸第二課長
MITO Nobue 山種美術館, 特別研究員
WATANABE Masako 学習院大学, 研究員
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| Project Period (FY) |
2011 – 2013
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| Keywords | 書画藝術 / 和歌の政治性 / 朝幕関係 / 共同制作 / 宮廷美術 / 装飾性 / 仁清陶 |
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| Research Abstract |
In notable results of this research we proved that not only the paintings and calligraphy but also the decorative qualities, such as ornamented papers of Waka poem albums or mountings of screens, were evaluated among the imperial court of the 17th century. In the Hyakunin Isshu Albums by Kano Tanyu and et-al, formerly owned by the feudal load Date family, the imported papers with wood-block decoration of Ming-Qing style were used adding the Japanese style ornamentations. Their decorative sense is similar to that of the enamel paintings of the Ninsei Ware of the mid-17th century. In the Screens of the Twelve Months Celebrating the 70th Birth-day of the Empress Meishoin by Yamamoto Soken, their decorative qualities are coincident with the document which recorded that celebration in 1692. Through both examples, we could know the yearning for the imperial culture of the upper warriors, and the tense relationship between the imperial court and the Tokugawa Shogunate of the 17th century.
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