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The construction of "A History of Japanese Calligraphic Theories" based on Japanese Calligraphic Theories in the Middle and Early-Modern Ages

Research Project

Project/Area Number 17K02275
Research Category

Grant-in-Aid for Scientific Research (C)

Allocation TypeMulti-year Fund
Section一般
Research Field Aesthetics and studies on art
Research InstitutionGunma University

Principal Investigator

NAGAYOSHI Norio  群馬大学, 教育学部, 教授 (30557434)

Project Period (FY) 2017-04-01 – 2020-03-31
Project Status Completed (Fiscal Year 2019)
Budget Amount *help
¥3,250,000 (Direct Cost: ¥2,500,000、Indirect Cost: ¥750,000)
Fiscal Year 2019: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2018: ¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2017: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Keywords書論 / 唐様書論 / 和様書論 / 書道史 / 芸術学 / 書学 / 芸術諸学 / 日本書論史 / 日本書道史 / 日本美術史
Outline of Final Research Achievements

This study tries to construct “A History of Japanese Calligraphic Theories.” When observed from the perspective of the history of calligraphic theories, calligraphic theories in Japan have three distinctive periods: “the origin of calligraphic theories” in the early Heian period, “establishment of the Jubokudo theory” from the late Heian to the Nanbokucho period, and “a prosperity of the Karayo theory” in the Edo period.
Three themes are identified:1. Systematization of the calligraphic theories in the Mid-Ancient / Middle ages mainly based on the ones by the Sesonji family,2. Relevance between the calligraphic theories in the Mid-Ancient / Middle ages and that in the Early-Modern age,3. Relationship between the theories of Wayo and Karayo in the Early-Modern age. This research also shows us what the Japanese sense of the beauty is and gives us an opportunity to construct a new view of “A History of Japanese Calligraphic Theories.”

Academic Significance and Societal Importance of the Research Achievements

本研究では、世尊寺家書論を中心とする中古・中世書論の体系化を行うことで、「日本書論」の特性とされてきた書式故実を述べた秘伝書としての性質がどのように形成されていったのかを明らかにした。また、藤原伊行の書論『夜鶴庭訓抄』の記述内容と伊行の自筆遺品「葦手下絵和漢朗詠集」の書写態度とを照らし、そこに関連性が見られることを指摘した。さらに、今日の書学領域では常識となっている「書聖・王羲之」は、書論の積み重なりによって形成されたものであると結論付けた。
本研究の成果が「日本書論史」構築の契機となったことの意義は大きい。

Report

(4 results)
  • 2019 Annual Research Report   Final Research Report ( PDF )
  • 2018 Research-status Report
  • 2017 Research-status Report
  • Research Products

    (5 results)

All 2020 2019 2018

All Journal Article (4 results) (of which Peer Reviewed: 4 results,  Open Access: 3 results) Presentation (1 results)

  • [Journal Article] 『葦手下絵和漢朗詠集』の研究(基礎資料編2)2020

    • Author(s)
      永由 徳夫
    • Journal Title

      群馬大学教育学部研究紀要(人文・社会科学編)

      Volume: 69 Pages: 25-38

    • NAID

      120006841899

    • Related Report
      2019 Annual Research Report
    • Peer Reviewed / Open Access
  • [Journal Article] 『葦手下絵和漢朗詠集』の研究(基礎資料編1)2019

    • Author(s)
      永由 徳夫
    • Journal Title

      群馬大学教育学部(人文・社会科学編)

      Volume: 68

    • NAID

      40021917761

    • Related Report
      2018 Research-status Report
    • Peer Reviewed / Open Access
  • [Journal Article] 日本書論史序説―世尊寺家書論の体系化への試み―2018

    • Author(s)
      永由 徳夫
    • Journal Title

      書学書道史研究

      Volume: 28

    • NAID

      130007627280

    • Related Report
      2018 Research-status Report
    • Peer Reviewed / Open Access
  • [Journal Article] 日本能書列伝(二)―日本古書論を典拠として―2018

    • Author(s)
      永由 徳夫
    • Journal Title

      群馬大学教育学部研究紀要(人文・社会科学編)

      Volume: 67 Pages: 23-33

    • Related Report
      2017 Research-status Report
    • Peer Reviewed
  • [Presentation] 日本書論から見る王羲之〈書聖〉考2019

    • Author(s)
      永由 徳夫
    • Organizer
      第30回 書学書道史学会大会
    • Related Report
      2019 Annual Research Report

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Published: 2017-04-28   Modified: 2021-02-19  

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