Basic Study on the Buddhist Sculptor Kaikei's Production Methods and Division of Labor at His Workshop, Focusing Chiefly on Sanjaku Amida
| Project/Area Number |
18K12254
|
|---|
| Research Category |
Grant-in-Aid for Early-Career Scientists
|
| Allocation Type | Multi-year Fund |
|---|
| Review Section |
Basic Section 01060:History of arts-related
|
|---|
| Research Institution | Nara National Museum |
|---|
Principal Investigator |
YAMAGUCHI Ryusuke 独立行政法人国立文化財機構奈良国立博物館, その他部局等, 主任研究員 (10623556)
|
|---|
| Project Period (FY) |
2018-04-01 – 2023-03-31
|
| Project Status |
Completed (Fiscal Year 2022)
|
| Budget Amount *help |
¥4,030,000 (Direct Cost: ¥3,100,000、Indirect Cost: ¥930,000)
Fiscal Year 2020: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2019: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2018: ¥1,690,000 (Direct Cost: ¥1,300,000、Indirect Cost: ¥390,000)
|
|---|
| Keywords | 快慶 / 三尺阿弥陀 / 工房制作 / 分業体制 / X線CTスキャン調査 / 近赤外線撮影 |
|---|
| Outline of Final Research Achievements |
This study focused on a three-shaku (approx.90 cm) Amida statue attributed by inscription to Kaikei, making use of high-resolution digital photography and x-ray CT scanning to create new knowledge into the operations of Kaikei's workshop. After preparing resources for the study of the image through photography and CT scan imaging, we analyzed the data we had gathered for a close material study of the wood comprising the statue. We could identify with great precision from what part of the wood the statue's component blocks were carved and how these blocks were assembled, in turn revealing that some of the wood removed in hollowing out the larger block designated for the statue's trunk was set aside for use in carving the statue's left arm, and the head and neck of the statue were fitted into the trunk's cavity at joins running down from the shoulders. We presume that such efficiencies of production were developed by Kaikei's workshop to keep up with the rising demand for his statues.
|
| Academic Significance and Societal Importance of the Research Achievements |
快慶が生涯をかけて追求した三尺阿弥陀は、形式や作風が次第に変化したのみならず、制作技法においても進化を遂げていたことが本研究により明らかとなった。快慶芸術を支えた制作技法上の進展や、そこから浮かび上がる工房制作の実態は、今後さらにＣＴ調査の成果を丹念に読み解いてゆくことでより明瞭にとらえることが可能となり、彫刻史研究において新機軸を拓くことが期待される。本研究の成果は令和5年（2023）3月に奈良国立博物館編『仏師快慶の研究』として思文閣出版より刊行し、最新の情報を広く世に公表した。
|
Report
(6 results)
Research Products
(12 results)
-
-
-
-
-
-
-
-
-
-
-
[Book] 仏師快慶の研究2023
Author(s)
奈良国立博物館
Total Pages
606
Publisher
思文閣出版
ISBN
9784784219698
Related Report
-
