From the Ukiyoe-woodcut to the plastic style of the modern German theatre
Project/Area Number |
21520369
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Research Category |
Grant-in-Aid for Scientific Research (C)
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Allocation Type | Single-year Grants |
Section | 一般 |
Research Field |
Literatures/Literary theories in other countries and areas
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Research Institution | Nagoya University |
Principal Investigator |
OBA Masaharu 名古屋大学, 国際言語文化研究科, 教授 (50213848)
|
Project Period (FY) |
2009 – 2011
|
Project Status |
Completed (Fiscal Year 2011)
|
Budget Amount *help |
¥910,000 (Direct Cost: ¥700,000、Indirect Cost: ¥210,000)
Fiscal Year 2011: ¥130,000 (Direct Cost: ¥100,000、Indirect Cost: ¥30,000)
Fiscal Year 2010: ¥390,000 (Direct Cost: ¥300,000、Indirect Cost: ¥90,000)
Fiscal Year 2009: ¥390,000 (Direct Cost: ¥300,000、Indirect Cost: ¥90,000)
|
Keywords | 比較文学 / その他の各国文学 / 日本古典演劇 / ドイツ文学 / 芸術諸学 / 造形性 / 独文学 |
Research Abstract |
The goal of this study was the understanding of the collaboration of the painter and commercial artist Emil Orlik and Max Reinhardt, that means in relation to the reform in the modern German theatre. The central definition for this war“plastic". We were able to determine that the style of the features of the Ukiyoe-woodcut which Orlik learned during his stay in Japan, were admitted during the direction by Reinhardt and furthermore gave a significant sign for a new direction(simplicity, symbolization, stylization etc.) for the modern German theatre.
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Report
(4 results)
Research Products
(5 results)