| Project/Area Number |
22652010
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| Research Category |
Grant-in-Aid for Challenging Exploratory Research
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| Allocation Type | Single-year Grants |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Tokyo National University of Fine Arts and Music |
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Principal Investigator |
SOMEYA Kaori 東京芸術大学, 大学院・美術研究科, 講師 (90572579)
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| Co-Investigator(Kenkyū-buntansha) |
KARIMATA Kousuke 東京芸術大学, 大学院・美術研究科, 講師 (90529950)
MATSUMURA Kouta 東京芸術大学, 大学院・美術研究科, 講師 (30538765)
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| Co-Investigator(Renkei-kenkyūsha) |
MIYASAKO Masaaki 東京芸術大学, 大学院・美術研究科, 教授 (40272645)
ARAI Kei 東京芸術大学, 大学院・美術研究科, 准教授 (60361739)
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| Project Period (FY) |
2010 – 2012
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| Project Status |
Completed (Fiscal Year 2012)
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| Budget Amount *help |
¥3,210,000 (Direct Cost: ¥2,700,000、Indirect Cost: ¥510,000)
Fiscal Year 2012: ¥1,170,000 (Direct Cost: ¥900,000、Indirect Cost: ¥270,000)
Fiscal Year 2011: ¥1,040,000 (Direct Cost: ¥800,000、Indirect Cost: ¥240,000)
Fiscal Year 2010: ¥1,000,000 (Direct Cost: ¥1,000,000)
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| Keywords | 美術史 / 摸写 / 技法材料 / 日本画 / 絵画技法 / 技法書 / 模写 |
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| Research Abstract |
This study shows the process that “Japanese Painting” has come to be defined by distinctive materials the same as today. In this study, we collected “gihosho” (technical books) that Japanese Painters wrote from Edo to early Showa era and analyzed them statistically. Also, we examined “mohon”(copies) that used in Tokyo Fine Arts School after the Meiji era. From the above, this study could support the process of changing to define “Japanese Painting”.
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