| Project/Area Number |
23720070
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Multi-year Fund |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | The University of Tokyo |
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Principal Investigator |
TANAKA Masaki 東京大学, 人文社会系研究科, 研究員 (30600184)
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| Project Period (FY) |
2011 – 2013
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| Project Status |
Completed (Fiscal Year 2013)
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| Budget Amount *help |
¥2,080,000 (Direct Cost: ¥1,600,000、Indirect Cost: ¥480,000)
Fiscal Year 2013: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2012: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2011: ¥780,000 (Direct Cost: ¥600,000、Indirect Cost: ¥180,000)
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| Keywords | ソ連 / 社会主義リアリズム / ミュージカル・コメディー / 農村共同体 / スターリン批判 / 映画 / ソヴィエト文化 / 大衆文化 / スターリン時代 / ロシア |
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| Research Abstract |
My presentation at the annual meeting of the Japan Association for the Study of Russian Language and Literature, "The Representations of the Post-War Kolkhoz in Ivan Pyr'ev's Kuban Cossacks," focused on the representations of fieldwork in Pyr'ev's 1949 film. While his former films express Soviet ideology by depicting struggles in everyday work, Kuban Cossacks is characterized by amusing elements at the fair, with fieldwork undertaken in a symbolized manner, thus suggesting the realization of a utopian society.
My paper "The Figure of Ivan the Terrible in an Unrealized Project of I. Pyr'ev" analyzes archival materials kept in the RGALI on Pyr'ev's little-known scenario of the Tzar. This paper shows Pyr'ev's aim in his plan to depict a new hero who was more suited, in contrast to S. Eisenstein's hero, to the norms of Soviet culture.
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