1997 Fiscal Year Final Research Report Summary
| Project/Area Number |
07301008
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| Research Category |
Grant-in-Aid for Scientific Research (A)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
美学(含芸術諸学)
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| Research Institution | KYOTO INSTITUTE OF TECHNOLOGY |
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Principal Investigator |
YOSHIZUMI Takeshi Kyoto Inst.of Tech., Engineering and Design, Prof., 工芸学部, 教授 (50038973)
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| Co-Investigator(Kenkyū-buntansha) |
HABU Kiyo Kyoto Jr.Univ.of Art, Prof., 教授 (30183560)
KAMIKURA Yasutaka Osaka Univ., Letters, Prof., 文学部, 教授 (90115824)
KANBAYASHI Tunemiti Osaka Univ., Letters, Prof., 文学部, 教授 (80089862)
OHASI Ryosuke Kyoto Inst.of Tech., Engineering and Design, Prof., 工芸学部, 教授 (30093165)
OTA Takao Kyoto Inst.of Tech., Engineering and Design, Prof., 工芸学部, 教授 (30098230)
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| Project Period (FY) |
1995 – 1997
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| Keywords | contemporary art / mass - media / artistic medium / modernism / postmodernism / post - structurism / computer / photographism |
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| Research Abstract |
This research was done in the three frames of studies as follows.
1, We studied on the history of relations between media and arts in the 20th - century, making reference to the documents that had been collected for this research. While we investigated the relations between mass - media and fine art , we examined the process of technical evolution in art mediums. The studies consist of the three themes. The first theme is the movement of Avant - Gard arts and modern design in the age of printed - photgraphy and film in 1920s. The second is the Pop art and the Fluxus in the age of television. And the last is the postmodern movements of arts from 1970s to today in the age of malti - media.
2, Mainly from the point of the aesthetics and the theory of the arts after the post - structualism, we tried to examine possibilities and limits of the traditional semiotics, information - theorie , and structuralism.
3, From the point of the art - technology we tried to study the history of the relation between computer and art, especially in connection with interface technology after the 1960's. the 1980's. We paid attention to the individuality of artistic activity and the otherness of enormous technology and tried to examine these problem critically.
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