• Search Research Projects
  • Search Researchers
  • How to Use
  1. Back to project page

1996 Fiscal Year Final Research Report Summary

Three Kinds of "fin de siecle" in Arts <romantic / fin de siecle / post-modern> - arts and Philosophy of art at the turning-point -

Research Project

Project/Area Number 07301064
Research Category

Grant-in-Aid for Scientific Research (A)

Allocation TypeSingle-year Grants
Section総合
Research Field 美学(含芸術諸学)
Research InstitutionOsaka University

Principal Investigator

KAMBAYASHI Tsunemichi  Osaka University, Faculty of Letters, Professor, 文学部, 教授 (80089862)

Co-Investigator(Kenkyū-buntansha) WATANABE Hiroshi  Tokyo University, Faculty of Letters, Assistant Professor, 文学部, 助教授 (80167163)
KAMIKURA Tsuneyuki  Osaka University, Faculty of Letters, Professor, 文学部, 教授 (90115824)
OHASHI Ryosuke  Kyoto Institute of Technology, Faculty of Technology and Design, Professor, 工芸学部, 教授 (30093165)
MIURA Shinichiro  Tezukayama College, Faculty of Letters, Professor, 文学部, 教授 (50122148)
MORITANI Uichi  Osaka University, Faculty of Letters, Professor, 文学部, 教授 (70033181)
Project Period (FY) 1995 – 1996
KeywordsTurning-point / klassic / romantic / beauty and sublimity / fin de si cle / modern / avant-garde / post-modern
Research Abstract

The title of this research is suggestive of a gloomy and stagnant mood of the end of the 19th century in arts, and we are now living at the end of the 20th cetury. From the association of the century we are capable of sympathizing with the aesthtic atmosphere of "fin de diecle". Certainly we can point out an artistic deadlock since the nineteen-sixties, which could not produce artistically anything inventive, but in spite of this circumstances we don't feel such a gloomy mood of "fin de siecle". Arthur C.Danto characterizes the present situation of arts as pluralistic. Namely today's artists produce whatever they like. This situation confronts the historical development of modern art, which has been criticized from the viewpoint of post-modemism. But the description of "post-modem" is a contradictionary statement. Because the word "modern" originated from the Latin Word "modo", which means the "present or now". Othewise "modern" is regarded as a historically past period, but to what date the origin of this period may be traced back? Then another end of the century, that is, the end of the 18th century appears, when the mew movement of "Romanticism" began to declare the modernity in arts. In this meaning the theme, which this research tried to accomplish, was an attempt, to inquire through the comparative investigation of three kinds of "fin de siecle" the essential problem of the "modern" in arts.

  • Research Products

    (22 results)

All Other

All Publications (22 results)

  • [Publications] 神林 恒道: "芸術における近代-三つの世紀末-" 理想. 656号. 2-11 (1995)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 神林 恒道: "芸術哲学-目に見えないものを見えるようにする-" AERA MOOK 9. 9巻. 36-37 (1995)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 大橋 良介: "生の歴史・歴史の生-ひとつの歴史哲学の試み-" 年刊講座「生命」. 1巻. 31-51 (1996)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 三浦 信一郎: "情緒-抽出から感情-表現へ-西洋近代芸術音楽への転換期の音楽思想-" 理想. 656号. 39-49 (1995)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 森谷 宇一: "海の自由と厳しさ-寺田透論への序章-" エポス. 16号. 32-50 (1996)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 森谷 宇一: "花、特にバラ" エポス. 16号. 103-119 (1996)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 渡辺 裕: "西洋音楽研究におけるフィールドワーク的知" フィロカリア. 14号. 21-43 (1997)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 川田 都樹子: "<アヴァンギャルド>の展示空間を読む-ホワイト・キューブとそれ以前のアメリカ" 武蔵野美術. 103. 23-40 (1997)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 神林 恒道: "芸術学の射程-芸術学フォーラム2-" 勁草書房, 314 (1996)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 神林 恒道: "シェリングとその時代" 行路社, 270 (1996)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 神林 恒道 (編著): "芸術の楽しみ" 晃洋書房, 221 (1996)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] KAMBAYASHI,Tsunemichi: "The Modernity in Arts - Three Kinds of "fin de si cle"" IDEAL. No.656. 2-11 (1995)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] KAMBAYASHI,Tsunemichi: "Philosophy of Art - to make visible what we can not see" AERA MOOK. No.9. 36-37 (1995)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] OHASHI,Ryosuke: "Hisotory of Life, Life of History - an essay on historical philosophy" LIFE. No.1. 31-51 (1996)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] MIURA,Shinichiro: "From Sentiment-Represent to Emotion-Express - western musical thought at the turning-point toward modernity" IDEAL. No.656. 39-49 (1995)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] MORITANI,Uichi: "Freedom and Severity of the See -introduction toward an cassy on TERADA TORU" EPOS. No.16. 32-50 (1996)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] MORITANI,Uichi: "An Essay on Flowers, especially on Roses" EPOS. No.16. 103-119 (1996)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] WATANABE,Hiroshi: "Knowledge through Fieldwork in the Study of Western Music" PHILOKALIA. No.14. 21-43 (1997)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] KAWATA,Tokiko: "Reading the exhbition space of avant-garde" MUSASHINO ART. No.103. 23-40 (1997)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] KAMBAYASHI,Tsunemichi: The Shootihg Range of Study of Art. Keiso-shobou press, 314 (1996)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] KAMBAYASHI,Tsunemichi: Schelling and His time. Koro-sha press, 270 (1996)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] KAMBAYASHI,Tsunemichi (Edit.): How to Enjoy Arts. Koyo-shobou press, 221 (1996)

    • Description
      「研究成果報告書概要(欧文)」より

URL: 

Published: 1999-03-16  

Information User Guide FAQ News Terms of Use Attribution of KAKENHI

Powered by NII kakenhi