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2001 Fiscal Year Final Research Report Summary

The Emergence and Evolution of Japanese Art History

Research Project

Project/Area Number 09301004
Research Category

Grant-in-Aid for Scientific Research (A)

Allocation TypeSingle-year Grants
Section一般
Research Field Fine art history
Research InstitutionTokyo National Research Institute of Cultureal Properties

Principal Investigator

YONEKURA Michio  DEPARTMENT OF ARCHIVES, TOKYO NATIONAL RESEARCH INSTITUTE OF CULTURAL, DIRCTOR, 情報資料部・情報資料部長 (70099927)

Co-Investigator(Kenkyū-buntansha) SHIMAO Arata  DEPARTMENT OF ARCHIVES, HEAD, DOCUMENT SECTION, 情報資料部, 写真資料研究室長 (80170926)
SUZUKI Hiroyuki  DEPARTMENTOF ARCHIVES, HEAD, DOCUMENT SECTION, 情報資料部, 文献資料研究室長 (00132704)
NAKANO Teruo  DEPARTMENT OF FINE ARTS HEA, ANCIENT JAPANESE AND ORIENTAL ART SECTION, 美術部, 第一研究室長 (20124191)
OKADA Ken  DEPARTMENT OF FINE ARTS, SENIOR RESEARCHER, 美術部, 主任研究官 (40194352)
TANAKA Atsuhi  DEPARTMENT OF FINE ARTS HEAD, MODERN/CONTENMPORARY JAPANESE ART SECTION, 美術部, 第二研究室長 (00163501)
Project Period (FY) 1997 – 2000
KeywordsART HISTORY / CULTURAL PROPERTIES / EXPOSITION / EXHIBITION / ART ADMINISTRATION / ART EDUCATION / ASIAN ART HISTORY / JAPANESE ART HISTORY
Research Abstract

The birth of the discipline of art history has been the subject of considerable interest in recent years, together with its flfSt inception in Japan. Art history came into existence here some century ago, and it is instructive at this juncture to reflect on how the discipline, its vocabulary and presuppositions grew and gained acceptance. Art history emerged within a rhetoric of modernity. A consideration of issues relating to such points will be of value in defining the field in the twenty-frrst century, and identifying our future aspirations. This research will be based in the discipline of art history, but will draw widely on other fields, including aesthetics, modernization theory Japanese literature, etc. The result of this research is to offer leads in the rethinking art history as it is practiced in Japan.

  • Research Products

    (10 results)

All Other

All Publications (10 results)

  • [Publications] 佐藤道信: "フェロノサの古社寺調査と古美術保護"月刊文化財. 411. 24-28 (1997)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 北澤憲昭: "美術と生活・美術と理念"上越教育大学美術教育研究誌『美と育』. 3. 14-20 (1997)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 高木博志: "近代神苑論"歴史評論. 573. 16-27 (1998)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 鈴木廣之: "想像の「江戸」と帝国の美術史"美術フォーラム21. 1. 120-126 (1999)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 岡田健: "日本・韓国における中国仏教彫塑研究の意味"美術史論壇. 10. 139-177 (2000)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 井手誠之輔: "日本の宗元仏画"日本の美術. 418. 1-98 (2001)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 東京国立文化財研究所: "語る現在、語られる過去"平凡社. 319 (1999)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] 北澤憲昭: "境界の美術史"ブリュッケ. 355 (2000)

    • Description
      「研究成果報告書概要(和文)」より
  • [Publications] SUZUKI, Hiroyuki: "Imaginative Edo and the Empire's History of Art"BIJJUTSU FORUM. Vol.1. 120-126 (1999)

    • Description
      「研究成果報告書概要(欧文)」より
  • [Publications] OKADA, Ken: "The Meaning of Research on Chinese Buddhist Sculptural Forms Being Conducted in Japan and Korea"ART HISTORY FORUM. Vol.10. 139-177 (2000)

    • Description
      「研究成果報告書概要(欧文)」より

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Published: 2003-09-17  

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