2002 Fiscal Year Final Research Report Summary
HOW THE LITERATI CULTURES AFFECTING TO THE EAST ASIAN ART IN THIRTEENTH TO FIFTEENTH CENTURIES
| Project/Area Number |
13610072
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Fine art history
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| Research Institution | JISSEN WOMEN'S UNIVERSITY |
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Principal Investigator |
MIYAZAKI Noriko JISSEN WOMEN'S UNIVERSITY, FACULTY OF LITERATURE, PROFESSOR, 教授 (20135601)
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| Co-Investigator(Kenkyū-buntansha) |
NAKAMACHI Keiko JISSEN WOMEN'S UNIVERSITY, FACULTY OF LITERATURE, PROFESSOR, 教授 (80141125)
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| Project Period (FY) |
2001 – 2002
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| Keywords | literati culture / literati associations in Yuan dynasty / roll of real view landscape painting / appreciation of stones / high culture in Muromachi period / arranging flowers / tea as social activity / painting subjects of vegetable / flowering herbs |
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| Research Abstract |
Noriko Miyazaki investigated the spread of literati culture in Yuan dynasty, as tracing the cultural activities among the scholars or in the educated class in Hanzhou ; the capital city of Southern Song, mainly through the paintings and their colophons. One of the research results is seen in the article #1 where she threw lights upon the important roll of the landscape painting depicting specific sights and places among the literati associations in the period. Other broad research results are collected into the publication #2, where discussing the layered meanings of typical motives and subjects in Chinese painting ; she also illuminates the issues related to this project.
About Japanese situation, Keiko Nakamachi has studied on the cultures of tea and arranging flowers from the Muromachi period to the early Edo period, as the part of cultural activities deeply influenced from Chinese literati culture at the period. Now she is preparing an article on the topic. And the article #3, she focuses on the vegetable and flowering herbs motives and tries to illuminate the influence from the prevailing of the same motives among literati painters of the late Ming China, to Japanese painters ; for example Sotatsu and his school, and Jakuchu. The further study on the aspects is expected to be completed in near future.
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