2007 Fiscal Year Final Research Report Summary
Studies on Buddhist Art from the viewpoint of Exchange and Tradition-From India to Japan-
| Project/Area Number |
16320020
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| Research Category |
Grant-in-Aid for Scientific Research (B)
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| Allocation Type | Single-year Grants |
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| Section | 一般 |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Ryukoku University (2007)
Nagoya University (2004-2006) |
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Principal Investigator |
MIYAJI Akira Ryukoku University, Faculty of Letters, 教授 (70022374)
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| Co-Investigator(Kenkyū-buntansha) |
SADAKANE Keiji Kyoto City University of Arts, Faculty of Fine Arts, 教授 (40135497)
NAKANO Teruo National Research Institute for Cultural Properties, Tokyo, Dept. of Research Programming, 部長 (20124191)
HIDA Romi Waseda University, Faculty of Letters, Arts and Science, 教授 (00318718)
IDE Seinosuke Kyushu University, Faculty of Humanities, 教授 (30168330)
WATANABE Satoshi Tokaigakuen University, Faculty of Humanities, 准教授 (30201180)
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| Project Period (FY) |
2004 – 2007
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| Keywords | Illustrated Jatakas / Illustrated Buddha's Life Story / Jado Art / Illustrated Pure Land based on the GuanwulianE / Art of Six Realms |
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| Research Abstract |
The purpose of our research is to clarify some aspects of the propagation of the Buddhist Art from India to Japan through the Central Asia, China and Korea, and its transition and development, taking the multifaceted viewpoint of' 'Exchange and Tradition.' We have placed emphasis on the themes such as Jatakas, Biography of Buddha, Jodo art, and the art of Six Realms. They are all main themes of the Buddhist art and furthermore they show their great transition and developments on the way to spread over from India to Eastern Asia.
(1) Studies on the Jatakas deal with a aspect of the changes from the narratives based on the thought of the reincarnation by karma in India to the narratives stressing the six practices in China. Moreover, the process that Dipa〓kara Jataka as the beginning episode of Sakyamuni Buddha in Gandhara developed as the thought of the prophecy of future enlightenment (vyakarana) is clarified.
(2) Studies on the illustrated biography of Buddha focused on the 'Maravijaya'
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or the 'enlightenment' and the 'Nirvana' or the 'Death of Buddha' to reach the following conclusion; The discourse on the Maravijaya shows the iconographic features of the Mara, his subordinates, his daughters and the earth goddess seen in every countries or areas and periods to trace the transition from India to the Central Asia, and on to China. A study on Nirvana discusses the development of the narrative representation; it started from the beginning as a part of the biography based on the Palis Mahapalnnivva〓a-suttanta and then connected with the cult of stupas and of the Maitreya in India and Central Asia, and finally and finally developed to the completion of the iconography related with Mahayana texts such as Mahaparinirvana-sutra and during T'ang China.
(3) As for the Jodo Art, we examined several topics ; the aspects of the creation of the transformation scene of Pure Land in Gandhara, the relationship between the meditation practice and the Jodo paintings in Central Asia, the relationship between the illustrated Jodo and the Jodo text Guanwuliangshoujing from the Northern Qi to the early T'ang dynasty and the development of the transformation scenes of the Pure land based on the former text in China, Korea and Japan.
(4) On the Art of Six realms, we examine the comparative study of the Six realms art in China and Japan, and also focus on the relationship between the Jizojuo-zu and Sui-riku-ga, and the relation between the depiction of the impurity of the human realms such as the illustrated decomposing corpse and the Kusoshi handscroll and the contemplation to clarify the aspects of the respective individuality and link in China and Japan from the viewpoint of 'Exchange and Tradition'. Less
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Research Products
(198 results)
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[Journal Article] Indo Kodai Bijyutsushi-Ron2007
Author(s)
Akira MIYAJI
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Journal Title
Motokazu YAMAZAKI and Masatoshi KONISHI,eds. Sakai Rekishi-Taikei Minami-Asia-Shil Senshi ・ Kodai, Yamakawa-Shuppansha
Pages: 265-293
Description
「研究成果報告書概要(欧文)」より
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[Journal Article] Jo-ODAKA Sennosuke ni tsuite-2004
Author(s)
Teruo NAKANO
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Journal Title
Tokyo-Bunkazai-Kenkyujyo Jyohochose-shitsu Shiryoetsuran-shitsu, ed., Tokyo-Bunkazai-Ifenkyuiyo Zosho Mokuroku4 Nihon-Thyo Bifyutsiz Kankei OburrHen
Pages: 12-13
Description
「研究成果報告書概要(欧文)」より
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[Presentation] Buddhist Cosmology in Bamiyan2006
Author(s)
Akira MIYAJI
Organizer
Ryukoku University Afghanistan Buddhist Sites Research Report Meeting
Place of Presentation
Seiwa-kan at Omiya, Ryukoku University
Year and Date
2006-12-23
Description
「研究成果報告書概要(欧文)」より
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[Presentation] Buddhist Art Studies of Bamiyan2006
Author(s)
Akira MIYAJI
Organizer
Ryukoku University Shigaku Gakkai Shigaku Taikai, Academic Lecture
Place of Presentation
Hall at Shizuoka Prefectural Museum of Art
Year and Date
2006-11-10
Description
「研究成果報告書概要(欧文)」より
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[Presentation] 石刻資料としての摩崖造像2006
Author(s)
肥田 路美
Organizer
唐代史研究会・宋代史研究会同学会
Place of Presentation
ホテル信濃プリンスシラカバ
Year and Date
2006-08-01
Description
「研究成果報告書概要(和文)」より
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[Presentation] The Cult of Maitreya and Its Art2006
Author(s)
Akira MIYAJI
Organizer
Tsinghua University Invitation Lecture
Place of Presentation
Hallat Academy of Arts and Design, Tsinghua University, Beijing
Year and Date
2006-06-04
Description
「研究成果報告書概要(欧文)」より
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[Book] Yuzankaku2005
Author(s)
Keiji SADAKANE, ed., et. al.
Total Pages
1-341
Publisher
Silkroad no Roman to Bunmei no Koubou Butsuga funpon
Description
「研究成果報告書概要(欧文)」より
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[Book] Hozokan2004
Author(s)
Keiji SADAKANE, ed., et. al.
Total Pages
1-331(vol.1),1-329(vol.2)2vols
Publisher
Bukkyozuzoushusei : Rokkakudou Manno'in Butsuga funpon
Description
「研究成果報告書概要(欧文)」より
