2012 Fiscal Year Final Research Report
A Study of Culture of Court Theatre during the Qing Dynasty
Project/Area Number |
20001001
|
Research Category |
Grant-in-Aid for Specially Promoted Research
|
Allocation Type | Single-year Grants |
Review Section |
Humanities and Social Sciences
|
Research Institution | Tohoku University |
Principal Investigator |
ISOBE Akira 東北大学, 東北アジア研究センター, 教授 (90143841)
|
Co-Investigator(Kenkyū-buntansha) |
OTSUKA Hidetaka 埼玉大学, 教養学部, 教授 (30126007)
KIM Moonkyong 京都大学, 人文科学研究所, 教授 (60127074)
SUZUKI Youichi 神奈川大学, 外国語学部, 教授 (00131722)
ISOBE Yuko 富山大学, 人文学部, 教授 (00161696)
TAKAHASHI Satoshi 慶應義塾大学, 附属研究所斯道文庫, 教授 (80216720)
CHEN Zhongqi 島根県立大学, 総合政策学部, 教授 (00326399)
KATO Toru 明治大学, 法学部, 教授 (80253029)
KOMATSU Ken 京都府立大学, 文学部, 教授 (00195843)
NAKAMI Tastuo 東京外国語大学, アジア・アフリカ言語文化研究所, 教授 (20134752)
SUGUYAMA Kiyohiko 東京大学, 総合文化研究科, 准教授 (80379213)
|
Research Collaborator |
CHEN Zhenghong 復旦大学, 古籍整理研究所, 教授
SHI Lei 中国社会科学院, 文学研究所, 副編審
|
Project Period (FY) |
2008 – 2012
|
Keywords | 大清グルン / 張照 / 連台大戯 / 節戯 / 南府・昇平署 / 安殿本 / 儀典戯 / 古本戯曲 |
Research Abstract |
As the Manchus extended their rule over China and built up the Manchu empire (Daicing gurun), a Eurasian empire, in East Asia, they reprocessed various forms of traditional culture in the regions they occupied and used them as instruments of state rule. In the case of the theatre, ritual elements were added to elements associated with entertainment, and it came to be promoted both inside and outside China as a new form of ritual music, differing from the classical ritual music of Confucianism. This was the court theatre of the Qing, and it differed in character from the folk plays, with their strong tinges of religious rites, that were performed in provincial cities and throughout the countryside.
|