Sounding as the Basic Concept and the Presentative Phase in the Contemporary Music
| Project/Area Number |
24520166
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| Research Category |
Grant-in-Aid for Scientific Research (C)
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| Allocation Type | Multi-year Fund |
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| Section | 一般 |
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| Research Field |
Study of the arts/History of the arts/Arts in general
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| Research Institution | Nagoya City University |
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Principal Investigator |
MIZUNO Mikako 名古屋市立大学, 芸術工学研究科(研究院), 教授 (50295622)
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| Research Collaborator |
MARC Batter
DANIEL Teruggi
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| Project Period (FY) |
2012-04-01 – 2015-03-31
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| Project Status |
Completed (Fiscal Year 2014)
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| Budget Amount *help |
¥5,070,000 (Direct Cost: ¥3,900,000、Indirect Cost: ¥1,170,000)
Fiscal Year 2014: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
Fiscal Year 2013: ¥1,820,000 (Direct Cost: ¥1,400,000、Indirect Cost: ¥420,000)
Fiscal Year 2012: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
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| Keywords | 電子音響音楽 / ネットワーク音楽 / シェフェール / インタラクティブ音楽 / ストカスティク音楽 / データベース / 国際情報交換 / 国際研究者交流 / ネットワーク・コンサート / ピエール・シェフェール / 現代音楽研究 / フランス |
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| Outline of Final Research Achievements |
This research treated the contemporary music including electroaoustic music, based on a new concept of SOUNGING. The framework of the research came over the three elements of music as melody, harmony and rhythm or over the three elements of sound as pitch, duration and timbre. The research method went through historical survey, analysis and creation. The historical research required collaboration of international exchange. This research aimes the general concept of SOUNDING will function as a key for today’s electroacoustic music studies.
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Report
(4 results)
Research Products
(20 results)
