Research on Sotatsu School's flower-grass-paintings with focus on those with 'Inen' seal - Rising demand in the Kyoto and Hokuriku regions
| Project/Area Number |
19720028
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Single-year Grants |
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| Research Field |
Aesthetics/Art history
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| Research Institution | Japan Women's University |
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Principal Investigator |
OKADA Azusa Japan Women's University, 人間社会学部, 助手 (60440088)
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| Project Period (FY) |
2007 – 2009
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| Project Status |
Completed (Fiscal Year 2009)
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| Budget Amount *help |
¥1,900,000 (Direct Cost: ¥1,600,000、Indirect Cost: ¥300,000)
Fiscal Year 2009: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2008: ¥650,000 (Direct Cost: ¥500,000、Indirect Cost: ¥150,000)
Fiscal Year 2007: ¥600,000 (Direct Cost: ¥600,000)
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| Keywords | 美術史 / 日本美術史 / 近世 / 日本 / 宗達派 / 草花図 / 北陸 / 京都 |
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| Research Abstract |
By exploring the demand arising from the Hokuriku area, this study examines the foundations and use of mass-produced flower-grass-paintings with 'Inen' seal and any clues these may have about trends in the studio of Tawaraya Sotatsu.
The general explanation behind the demand from Hokuriku is as dowry, but because there are no forthcoming historical sources to establish this, this hypothesis was strongly influenced by the commentary of the 1975 Ishikawa Prefectural Museum exhibition, which is said to have pioneered the discovery and research of flower-grass-paintings with 'Inen' seal.
Further research should focus on questions of Sotatsu's relationships with friends, his birth and the importance placed by the Sotatsu School, outside of Kyoto and Hokuriku, on Sakai, Osaka, due to production activities by his only successor Tawaraya Sosetsu.
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Report
(4 results)
Research Products
(4 results)
