| Project/Area Number |
19720035
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| Research Category |
Grant-in-Aid for Young Scientists (B)
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| Allocation Type | Single-year Grants |
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| Research Field |
Aesthetics/Art history
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| Research Institution | The National Museum of Western Art, Tokyo |
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Principal Investigator |
HIRAYAMA Toko The National Museum of Western Art, Tokyo, 学芸課, リサーチフェロー (50421839)
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| Project Period (FY) |
2007 – 2009
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| Project Status |
Completed (Fiscal Year 2009)
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| Budget Amount *help |
¥4,130,000 (Direct Cost: ¥3,500,000、Indirect Cost: ¥630,000)
Fiscal Year 2009: ¥1,300,000 (Direct Cost: ¥1,000,000、Indirect Cost: ¥300,000)
Fiscal Year 2008: ¥1,430,000 (Direct Cost: ¥1,100,000、Indirect Cost: ¥330,000)
Fiscal Year 2007: ¥1,400,000 (Direct Cost: ¥1,400,000)
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| Keywords | 古代ギリシア / 地中海 / 考古学 / 神話 / 土器 / 美術史 / 古典考古学 / 陶器 / 東方化様式 / 地中海東部 / 神話画 |
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| Research Abstract |
This study is focused on the Attic black-figure pottery in the first half of the sixth century B. C., and its development of painting style, vessel shapes, decorative schema and iconography. The "KX painter," an anonymous vase-painter of the Komast Group, is the main subject of this research. Through the detailed examination on his work, the significance of the painter, mutual relationship with other potters and painters around him and some social function of the early Attic black-figure pottery were revealed.
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